Die Umrandung des Nichts

by HAARMANNHOMMELSHEIM

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    Edles 8-seitiges Cover aus Karton mit Artwork von Ruth Hommelsheim

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07:53
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09:22
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06:39
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04:35
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11:15
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05:15

credits

released July 12, 2018

all music performed, composed and produced by HAARMANNHOMMELSHEIM. Mixed and recorded by Ralf Haarmann at Klangmœbelstudio Münster. Artwork and cover design by Ruth Hommelsheim www.hommelsheim.com

Instruments used: autoharp, balloon, bell, clothes hanger, e-bow, fieldrecordings, guitar, glasses, hihat, loop padels, metal pipe, mandoline, mouthharp, synthesizer, sequencer, stones, sticks, string-frog, music box, seashells, taperecorder, voice.

Special thanks to Stephan Us and the "Archiv des Nichts", Lea Haisch, Johanna Lippmann, Ruth Hommelsheim, Buddy Sacher

"Die Umrandung des Nichts" © haarmannhommelsheim 2018
www.klangmoebel.net www.christianehommelsheim.de
Kangmœbel KCD 002

license

all rights reserved

tags

Track Name: In the inside
In the inside there is a sleeping, in the outside there is reddening, in the morning there is meaning, in the evening there is feeling. In the evening there is feeling. In feeling anything is resting, in feeling anything is mounting, in feeling there is resignation, in feeling there is recognition, in feeling there is recurrence and entirely mistaken there is pinching.
Track Name: Zerschmelzen
Melting and not minding, safety and powder, a particular recollection and a sincere solitude all this makes a shunning so thorough and so unrepeated and surely if there is anything left it is a bone.

Was ist der Sinn eines heftigen Entzückens wenn es keinen Spass mach dessen nicht müde zu werden?

Cut the whole space into twenty-four spaces and then and then is there a yellow color.
The kindly way to feel separating is to have a space between
Track Name: Tomorrow
It's open. The season of love is young. As small as the world, as large as alone. Tomorrow I'll resist gravity again.
Track Name: Wegschenken
Giving it away, not giving it away, is there any difference. Giving it away. Not giving it away.

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